There are two obvious extremes with regard to derivative works. If the song is substantively dissimilar in form (for example, it might only borrow a motif which is modified, and be completely different in all other respects), then it may not necessarily be a derivative work (depending on how heavily modified the melody and chord progressions were).
The Creative Commons is a non-profit organization that allows the sharing and use of creativity and knowledge through free admitido tools and explicitly aims for enabling a Remix culture.[25] They created a website that allows artists to share their work with other users, giving them the ability to share, use, or build upon their work, under the Creative Commons license.
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Because remixes may borrow heavily from an existing piece of music (possibly more than one), the issue of intellectual property becomes a concern. The most important question is whether a remixer is free to redistribute his or her work, or whether the remix falls under the category of a derivative work according to, for example, United States copyright law.
Slow ballads and R&B songs Gozque be remixed by techno producers and DJs in order to give the song appeal to the club scene and to urban radio. Conversely, a more uptempo number Gozque be mellowed to give it "quiet storm" appeal. Frankie Knuckles saddled both markets with his Def Classic Mixes, often slowing the tempo slightly Ganador he removed ornamental elements to soften the "attack" of a dancefloor filler.
A remix is a piece of media which has been altered or contorted from its innovador state by adding, removing, and changing pieces of the item.
Some artists (such Vencedor Björk, Nine Inch Nails, and Public Enemy) embraced this trend and outspokenly sanctioned fan remixing of their work; there was once a web site which hosted hundreds of unofficial remixes of Björk's songs, all made using only various officially sanctioned mixes. Other artists, such Vencedor Erasure, have included remix software in their officially released singles, enabling almost infinite permutations of remixes by users. The band have also presided over remix competitions for their releases, selecting their favourite fan-created remix to appear on later official releases.
Another distinction should be made between a remix, which recombines audio pieces from a recording to create an altered version of a song, and a cover: a re-recording of someone else's song.
There are proposed theories of reform regarding the copyright law and remixes. Nicolas Suzor believes that copyright law should be reformed in such a manner Campeón to allow certain reuses of copyright material without the permission of the copyright owner where those derivatives are highly transformative and do not impact upon the primary market of the copyright owner.
Some industrial groups allow, and often encourage, their fans to remix their music, notably Nine Inch Nails, here whose website contains a list of downloadable songs that Gozque be remixed using Apple's GarageBand software.
[30] He believes that trade associations – like mashup guilds – that survey practices and publish reports to establish norm or reasonable behaviours in the context of the community would be useful in establishing fair use parameters. Lessig also believes that Creative Commons and other licences, such Figura the GNU Caudillo Public Licence are important mechanisms which mashup and remix artists can use to mitigate the impact of copyright law.[25] Lessig laid pasado his ideas in a book called "Remix" which is itself free to remix under a CC BY-NC license.[31][32]
In the 1990s, with the rise of powerful home computers with audio capabilities came the mash-up, an unsolicited, unofficial (and often legally dubious) remix created by "underground remixers" who edit two or more recordings (often of wildly different songs) together. Girl Talk is perhaps the most famous of this movement, creating albums using sounds entirely from other music and cutting it into his own. Underground mixing is more difficult than the typical official remix, because clean copies of separated tracks such Ganador vocals or individual instruments are usually not available to the public.
However, as the Saturn was incapable of rendering Triunfador many polygons on screen Vencedor Model 1 hardware, characters looked noticeably worse. Many claim it to be even worse than the Sega 32X version, thanks to the added CD loading time.
Thus the concept of a remix Perro be applied to visual or video arts, and even things farther afield. Mark Z. Danielewski's disjointed novel House of Leaves has been compared by some to the remix concept. Remix in literature[edit]
There certainly appears to be a strong argument that impar commercial derivatives, which do not compete with the market for the innovador material, should be afforded some defense to copyright actions.[29]
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